Piano Method for Beginners

The piano is easy. Your first step is to sit down. Obviously a well made bench is good, but a chair or a stool will do, for this once at least. You'll replace it later. Wipe the dust off the top and make another mental note to get a good rag and finish the job in an hour or two. Wear good socks for this. The sustain pedal is too cold for bare feet and too clean for shoes. Press it twice, once gently so that your foot is used to it, once a dash quicker so the piano is used to it. Hold it that second time and listen closely - hear it ring, the string's soft pulse magnified just enough so that the human ear can sense the forgotten memories that others have left there.

You now have permission to touch the keys, but only to make sure they're in tune. If some aren't, it's too late now, but remember to avoid the offending keys. Now look around. Melodies are everywhere. look under your seat, behind the couch across the room, in the painting next to you. You should keep a few with you everywhere, just in case, too. Put them in those socks you're wearing. When you find one, a good one, don't grab it. You need its permission. If it comes down for you, hold it gently between your fingertips. Slowly, gently, reverently, touch a note. Any of them. Now let that melody work for you.

It's always nervous starting out, touching just a note at a time, tapping out a subtle rhythm into a small chant. At first it might just be your right hand, softly floating over the ivory and defining its personality in a flurry of whispering movements, an infant realizing things for the first time. Now it will pull your other hand into the fray - either strongly, a power introduced that the music didn't know it had, a new force that further pushes the piece into a symphony, or, it will be more subtle, one more string of keys, at first being one with the right hand, then slowly pulling and stretching the tone into a double entity, not at peace or at war, not at tension or at comfort, but at something those terms don't understand: Harmony. Either way the music grows, and expands, and matures. It has now become fully conscious of itself, and this is where we have elements of danger. Don't let it get too big, This is not the end or even a climax. That's later, and if you peak early you stand a solid chance of losing everything.

If you manage to tone is down - which is the mark of a true pianist - then your right hand will begin to climb. Let it. It starts on the ladder of keys and deftly moves to a higher rhythm and your left hand begins to bow, perhaps in total submission, to a sense of superiority. Remind the left that it isn't worthless, but this is the right's shining solo, and jealousy is pointless. Now bring it back down again, not all at once, small , individual steps that cascade into a solid cadence once the finger join together. Add one more melody between the hands to make it bigger than it was before.

This is where the melody begins to fight you, and this is how music escalates into a war. It's a battle of fingertips and piano keys, a flurry of knuckles in black and white. The sound separates itself from your hands, doing things whether you wanted to or not, and just when things seem beyond your control, withdraw -

and the music will stop. The piano is in submission once more. Allow a few seconds for silence to reverberate through the room. Take a breath, because you're nearly there. Press that first note again, then again as though you were starting piece over again. But don't. Go the opposite direction, catching the Melody in a deep bass voice as the right sings its chorus to remember, to paint the picture of what it once was. Finally, let the essence of the song - that weary spirit that grew for you and let you tame it - let go of it. It no longer has room to grow, but will settle into your lap. Comfort it, caress it one last time, and end on a chord.

Written at Writer's at Harriman